I'm Brandon Dorn, a digital product designer at Viget, where I focus on information architecture, user research, and interaction design.
I’ve worked with Rotary International, The Nature Conservancy, Privia Medical Group, Volunteers of America, and other organizations to make their digital things more useful and usable.
I like to read, and books themselves have become my standard for product design. Seems to me a digital product should be as easy to handle and learn from as a good book: accessible, durable, self-contained, unobtrusive, words and images helping each other out, information presented in sequence with enough context, nice to look at for lengths of time, designed at a human scale. A vessel of generosity from author to reader.
As a designer, I take cues from the Bauhaus school of thought that emphasized close attention to form for the sake of content, prototyping early and often, and a practical familiarity with the methods and materials of production.
I live in Durham with my wife, BethAnne, and our scruffy dogger, Ani. Before moving to North Carolina I studied English Literature and Economics in Illinois, yet have mostly been influenced by LEGO instruction manuals and Shel Silverstein poems. Recently I’ve been working on a commentary on the abundant music of Sufjan Stevens. More on that soon.
The third-person omniscient, brick red, afternoon errands, unassuming generosity, the quiet heavy energy before a thunderstorm, the ozone air after a thunderstorm, the expression on people’s faces after they’re done smiling and return to their thoughts, stark minimalism and animal warmth in Scandinavian design, modesty, 20th c. Christian humanism, heathered fabric, hole-in-the-wall Mexican, courtesy, pocket knives, club sandwiches, New Criticism, foraging at used book stores, the Great Plains, coffee cake, Jesus' kindness, severity, and patience, curiosity cabinets, mid-90s Nickelodeon, dirty realism, magical realism, mumblecore realism, the original Sambas, Midwestern hip-hop, sparkling water, unself-conscious, jargon-laced strategies of self promotion (the kind you find on LinkedIn), moments of honesty and self-revelation in sterile, professional places, Mahler’s 5th and 3rd (in that order), when you’re waiting at a stoplight your turn signal and synchronizes with the song you're listening to, literary marginalia, the extras in Portlandia, folk wisdom, brunch dates, lists, bouldering, black matte finishes, shortbread cookies, normcore, the complicated characters of the Old Testament, hotel continental breakfasts, melancholy trap, accessible poetry, handwritten letters, Southern Gothic, non-holiday gift-giving, the idea of wonder, prairie women, essays, hand massages, cartography, ambiguity, people who listen wholeheartedly, midweight jackets, clever German compound words, October, coffee cake crumbles, manual hatchbacks, etc.